you will always be alone and then you will die

I breathe and live and want; they call me 'whore'. 'Prostitute'. 'Bitch'. But I've never gotten paid and I don't hate anyone for it. I get what I want, and that's more than most girls can say.

Your stupid trailer is freezing, or I am, and I'm hungry again. I'm not above begging you for something to fill me. It's been three days. Baby, your pity tastes disgusting, but beef jerky's all you've got, so I'll take whatever you let me take.

Whatever I want to take.

You're in a cage and there's the stink of testosterone and blood and fear as you tear into other men like tissue paper. Like Picasso, you paint the walls and floors with red and linoleum and intestines before you sigh. I don't want to be here, anymore, I whisper, lost to the jubilant screams of your crowd, but you hear it anyway. Amber eyes rise to my green, suddenly shifting into my own, like you're saying me too or I'm gonna eat you alive.


I can be content with that.

Innocent. You want to keep me innocent, but I've got voices in my head telling me that I'm a sinner, an insult to God, to take what I want because it's mine, I'm no good, I'm better than anyone. And maybe, baby, it would shock you to your bones to hear what I've got in mind. I want to crawl into your skin and take you from the inside out, claim your heart with my teeth and grind you into the floor with my hips. I want to run my hands through your hair and bite you 'til you bleed (for me, again; this is getting repetitive, isn't it?). Have you dreamt about it? I hear you in the night, low voices and hitching breaths -- do you think about me?


Do you?


I am you and you are me, and nobody is a victim here.



(There's this line to this poem, and it's the one that thrums under my skin whenever I'm with you--)


I'm in a car with a beautiful boy and I feel sick to my bones as they creak against my skin because he's not you, and I want you. When did I get into this? When did you love redheads and propriety and tameness and when did I let you? When did you push me into ice-cold arms and ice-cold smiles and expectant hands?

Is it because I can't tell you I break everything I touch? They shatter and wither and die in front of me, you know, and there's nothing I can do about it because I can't let go. Not ever. Because you can't just sink your claws into someone and wait for them to shove you off, not when everything hurts more on the way out than in. Not when I want your claws and your everything, to compress it with the depth of your voice and the heat of your naked skin and swallow it so it's mine. So I'm happy -- so what? There is no excuse for this.
    (--you wanted to be in love and he happened to get in the way or--)



The road to happiness is the most misleading thing, the cruelest kind of ideal because it makes you put up with so much shit, baby, all for the sake of happiness. Happiness, they all tell me, like it's some kind of state and not a thousand moments strung together, not the high you run and reach for in life, not little presents from life to you. As though it's just another goal, another thing on your to-do list as you sit there in a pinstripe suit and briefcase and affairs with a secretary.


You make me happy, whatever that means. For what it's worth.
(--a man takes his sadness down to the river and throws it in the river but then he's still left with the river or was it--)

But you're always angry, you keep trapping these tornadoes under your flesh and it's not good for you, baby, to keep her from all these disasters. Sometimes, two people fall in love and it's tragic, it is, but sometimes, two people don't love enough and that's even worse. You've got tornadoes for her, hurricanes, blizzards and a dry, dry desert but she's a city of angels and sky-high towers and I'm gasoline and messed up wind patterns and the sun. You blame me and I take it, because you make me happy and I grew up in Kansas and I'm still stupid enough to believe in yellow-brick roads and evil, redheaded witches and a happy ending.



We're a terrifying, dysfunctional tricycle and I would have it any other way than this. Please.


And we're standing on the edge of a cliff, and we've both got choices to make, baby. But not really, right? I'd move mountains and cross oceans for you, but you'd die for me (and that's the worst part, it is, it is; it's not romantic like in the fairytales, having someone's life in your palm like that).

I am standing on the edge of a cliff and you're by my side, lingering in the peripheries, lingering in the darkness, until I kiss you, isn't it? I kiss you, mouth open and warm, and slide my hands across your chest, your back, and it's supposed to fix everything, isn't it? A kiss is supposed to wake you up, isn't it?


Isn't it?
   (--love, too, will ruin us.)

hooded

sunburnt scarlet skies
fleeing as fierce
emerals emerge
heralding the hues
of sapphire to sink in.

sienna eyes drinking in,
flooding with cut glass,
cool hard translucence
against leather against skin.

earthy work boots planted
firmly on inky stretch of metal,
headlight eyes flickering shut
reprieve from the thousand star
glare.

kiss-starved lips pucker up
to wrap around the bottle neck,
expectant gushing, bland, bitter
beer,
intoxicated.

tipped back, black waterfall,
curls tumble over,
pale column as an altar offering,
breaths leaving like smog,
like prayers form a cynic.

lacquered nails
tap out the low, lusty
lumbering drumbeats,
light movement on
the sleek, slick
'67 chevy impala.

harp song
carries the melody away
drumbeats
out of
place.

sunburnt sienna eyes
flicker shut
as red recedes
golden pendulum swinging
dragging a curtain of almost cobalt
more like peacocks
fanning out
yellow blurs like stars
tormenting.

snow angels

i'm drawin' little snow angels
on your frosty windows

you've got the A/C on high
and the radio's nothing but static

each raindrop thuds against my fingers
and my pulse, in venn

your misty exhalation brushes across my bare legs
little ghost kisses as you switch the dial from FM to off

i burrow into my cocoon of cotton and candy and cutting words
and flowers and elegance and dior flood the air

your lips, as red as my eyes, press thin to stop a litany of my name,
and a little golden shackle, glares at me.

burnt opals

liquid sapphire drips away into
a blood red ruby
bevelled burning opal
(dips and furrows darkened
by the opaque night)
sneaking down to meet
jagged jutting topaz
rays tumbling over each other
to press fleeting, shy kisses
burning opals
illuminated.

and liquid sapphire drips away
                                              away
                                                      away
                                                                                                  away
as blood red ruby
floods the sky.

we're going round in circles

1.
    i tried to write you a letter once,
       and i felt like spiders crawled out my throat,
    leaving cobwebs where all those words should've been;

        i tried to pass them off as silk,
     and i've never seen you so terrified.

2.
   you told me you were a growing boy,
      and i could feel you under my skin,
   you bloom, flowers of blue and purple,
      spring time love and part-time lovers,

   it is winter again,
     and you're taller than ever.

3.
  i dreamt that i told you what each crack in my skin meant,
      and you flooded me with your liquid kisses and pacific eyes,
  and called me your sahara.

      your eyes are thirsty now,
  and i am still your sahara.

4.
      the sun leaked blood secrets into the sky,
  and i watched the dawn arrive.
      he told me he loved me,
  and all i could say was goodnight.

5.
  you think you're funny
      and sometimes i think i'm the joke,
  i bite your punchline and fall,

      hook, line and
                             sink her.


6.
      you can't draw and i can't sing,
  but i write you love songs with my lips,
      and you make me mona lisa-smiles with your hands,

  and maybe, we don't need to be perfect,
      just happy.

a/n: sorry for the hiatus. exams and personal issues have reduced my muse to a whimpering mess.

reflect. then deflect

i've got shards of glass and silver where my soul should be,
and whenever someone smiles, it's not really me they see.

you shield your smiles behind closed lips and closed eyes,

eyes are the windows to the soul

and your smiles are light



and i curl in to hide this emptiness.

glass cuts,

and it cuts deep.

mannequin

when i think back to my childhood,
there is a doll.
                      no wait, that's not right;
                      i was more a mimicry of humanity
                      than something so easily different

so, daddy carved me arms and legs and
a mind of diamonds and rosewood and
sugar, and big glassy doe eyes complete
with a set of curled eyelashes as i wrapped
men around my fingers like a chinese finger
trap or a set of rings, three sizes too small,
                      but he was never really happy with me,
                      not really because there was always something too plastic
                                                                                                glassy
                                                                                                transparent about me,

this isn't a case of the bitch biting the hand of its owner,
not when the maker calls his child a whore
but you made me, goddamnit

and these are the words i will never be able to tell you,
because my mouth has been sewn shut by my web of lies;

-

i'm an unfinished work of art,

but i'm still art, right?

-

oh, these worthless words

i sing for you,
for you,
and you're always asleep.

i speak for you,
for you,
and you never hear me.

i look for you,
for you,
and you're never here.

i love only you,
only you,
and you'll never even


fucking know.

platinum albums

i am fire and blood and screams and rage,
your voice is spearmint toothpaste,
on an aeon-old burn,

your heartbeat is the soundtrack of my mind,
but your pulse fades beneath my fingertips,
as i hug you goodbye.

divine retribution

seraph blades,
slice at your heart;

hope hurts.

iris

green eyes,

like apples,

sweet

no, you say

green eyes,

like ivy,

poison

sorry, you say

green eyes,

like glass,

broken

viper

eyes, eyes, yellow eyes.
stop staring at me;
you lookin' for a fight?

teeth, teeth, long sharp teeth.
stop baring them at me.
can't you smile for once?

your words are like poison,
except there's no antidote,
not against you, anacondad
not against your special brand of poison,
the kind that burns and burns
like acrid acid in my blood;
hate.

but you know what?
i'll survive and i'll live and breathe and be
just fine without you.
what doesn't kill me, only makes me superfuckinghuman.

so come at me, viper.
i can do this.

["But no man can tame the tongue. It is a restless evil, full of deadly poison."]

James 3:8